Bloom’s Critical Views
Harold Bloom (born July 11, 1930) in New York City, is considered by many as the premier literary critic of the 20th century – at least when it comes to English literature. In 1983 he was elevated to the position of Sterling Professor of the Humanities at Yale University in New Haven, Connecticut. He has written over 40 books, and since 1984 has been the primary critic, co-author, and editor of Bloom’s Modern Critical Views. Additional works include Bloom’s How to Write about Literature and Bloom’s Modern Critical Interpretations. His list of published works and awards spans many decades and numbers into the hundreds including reviews articles, and editorial introductions such as the ones as noted above. In 1999, Bloom was awarded the much coveted Gold Medal for Belles Lettres and Criticism from the American Academy of Arts and Letters. Internationally, he has also been acclaimed – being endowed with such awards as the Hans Christian Andersen Bicentennial Prize of Denmark, the International Prize of Catalonia, and the Alfonso Reyes Prize of Mexico. Further accolades include the Melville Cane Award from the Poetry Society of America,and the list goes on and on.
The former are just a hint of the awards and nominations that Dr. Bloom has achieved. To some, including myself, his achievements are super-human. If you are interested in any of the topics or persons listed below, I strongly recommend that you read Bloom.
Bloom’s Modern Critical Reviews
This is the complete list of Bloom’s Critical Views as of the date of this publication:
| African-American Poets: Volume 1 African-American Poets: Volume 2 Aldous Huxley Alfred, Lord Tennyson Alice Munro Alice Walker American Women Poets: 1650–1950 Amy Tan Anton Chekhov Arthur Miller Asian-American Writers August Wilson The Bible The Brontës Carson McCullers Charles Dickens Christopher Marlowe Contemporary Poets Cormac McCarthy C.S. Lewis Dante Alighieri David Mamet Derek Walcott Don DeLillo Doris Lessing Edgar Allan Poe Émile Zola Emily Dickinson Ernest Hemingway Eudora Welty Eugene O’Neill F. Scott Fitzgerald Flannery O’Connor Franz Kafka Gabriel García Márquez Geoffrey Chaucer George Orwell G.K. Chesterton Gwendolyn Brooks Hans Christian Andersen Henry David Thoreau Herman Melville Hermann Hesse |
H.G. Wells Hispanic-American Writers Homer Honoré de Balzac Jamaica Kincaid James Joyce Jane Austen Jay Wright J.D. Salinger Jean-Paul Sartre John Donne and the Metaphysical Poets John Irving John Keats John Milton John Steinbeck José Saramago Joseph Conrad J.R.R. Tolkien Julio Cortázar Kate Chopin Kurt Vonnegut Langston Hughes Leo Tolstoy Marcel Proust Margaret Atwood Mark Twain Mary Wollstonecraft Shelley Maya Angelou Miguel de Cervantes Milan Kundera Nathaniel Hawthorne Native American Writers Norman Mailer Octavio Paz Oscar Wilde Paul Auster Philip Roth Ralph Ellison Ralph Waldo Emerson Ray Bradbury Richard Wright Robert Browning Robert Frost |
Robert Hayden Robert Louis Stevenson The Romantic Poets Salman Rushdie Samuel Beckett Samuel Taylor Coleridge Stephen Crane Stephen King Sylvia Plath Tennessee Williams Thomas Hardy Thomas Pynchon Tom Wolfe Toni Morrison Tony Kushner Truman Capote Walt Whitman W.E.B. Du Bois William Blake William Faulkner William Gaddis William Shakespeare: Comedies William Shakespeare: Histories William Shakespeare: Romances William Shakespeare: Tragedies William Wordsworth Zora Neale Hurston |
“Bloom’s Critical Views” was written by Brenne Meirowitz, BA, MA, MS.
©2012 Brenne Meirowitz. All Rights Reserved.


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